Copied from Sean Costello’s ’53 Goldtop, these P-90s have lower output, more delicate attack, less midrange and bass, and are coupled with weak magnets. Overall tone is brighter with less of a grind to the distortion quality and is slower to overdrive an amp than the stock P-90 set. This set is good for an early Freddie King tone. De-gaussed Alnico2 magnets.
Neck 7.1K, Middle 7.2K, Bridge 7.4K