Description
From the website:
It serves as:
1) An attenuator for controlling the volume of high powered amplifiers with none of the drawbacks of a conventional attenuator.
• Perfectly preserves the tone of the attenuated amplifier at any volume setting down to whisper level.
• Preserves the dynamic feel and speaker response at any volume.
• Allows you to extend the voicing of any amplifier – a vintage amp can sound more modern, a modern amp more vintage, a dull sounding amp more alive, and a “spongy” amp can sound tighter, etc.
• Provides a post distortion effects loop for any amp whether or not it already has one.
• Provides an unbalanced line out for any amp whether or not it already has one.
• Completely safe for any amplifier.
• Choose 4, 8 and 16 ohms separately for both the amplifier and cabinet matching. No more nerve-wracking impedance mis-matching that could damage your amplifier.
• Compact and easy to carry, sit on top of an amp head, combo or desktop.
• Silent direct recording via unbalanced out.
2) A power booster for low powered amps.
• Can attenuate or boost the output of a lunchbox amp.
• Any small amp, Tiny Terror, Tweed Champ, AC15, Princeton, etc., can cut a live gig with a full band with all original tone intact.
• Allows you to extend the voicing of the amplifier – crank a mini amp to the threshold of destruction, then add top, bottom and volume to taste.
• Silent direct recording via unbalanced out.
3) A high quality adjustable reactive load for silent recording.
Power Station can also perform as:
• A post distortion effects loop for any amp that doesn’t have one.
• A mono power amplifier for guitar preamps, floor preamps and modeling preamps.
• An effects power amp for Wet/Dry amp rig.
• An onstage monitor power amp for live modeling direct to FOH system.
• A desktop power amp for adding tube power sound to direct recording for any instrument or signal source.